How do you follow up three performances featuring all five Beethoven piano concertos? How about four concerts featuring the complete piano works of Johannes Brahms? That’s exactly what you can look ...

It's encouraging to see a young star pianist like Barry Douglas turning to chamber music so early in his career. If the Piano Quintet does seem to strain at the limits of the medium from time to time, ...

Johannes Brahms (1833-1897) was a German composer and pianist who is widely regarded as one of the greatest composers of the Romantic era. He wrote a wide range of music, including symphonies, ...

Brahms's piano concertos are two of the greatest pillars of the Romantic repertoire. The first, written in 1858 when the composer was still a young man, is like a symphony where piano and orchestra ...

Today's composers would love to discover the elusive formula for artistic permanence. But it was probably always so. Even German composer Johannes Brahms (1833-1897) did not instantly achieve the ...

The Brahms Piano Concertos are two of the largest and most demanding in the repertoire. This season they will be played on consecutive weeks by Denis Kozhukhin. Richard Bratby tells the story of their ...

So do the three piano sonatas in question. They make complete nonsense of the artificial opposition stoked by 19th century pundits between Brahms the supposed conservative and Liszt the progressive, ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. The 92nd Street Y will present Takács Quartet and Garrick Ohlsson, piano, ...

Performances in N.Y.C. Advertisement Supported by Early in his career, Andras Schiff disdained historical authenticity. Now he embraces it, including on a revelatory new Brahms recording. By David ...

Performances in N.Y.C. Advertisement Supported by My Favorite Page The pianist Paul Lewis picks his favorite page of Brahms’s late solos, a work of “abject anguish.” By David Allen The British pianist ...

Add articles to your saved list and come back to them any time. Stephen Kovacevich, a frequent and deserved favourite of Melbourne audiences, is a superb guardian of a particular classical tradition.

This disc was recorded in Bolzano in December 1992. The sound is firm and immediate, if a bit strident at the top, and Bonatta clearly has a feeling for the scope and depth of the music as well as the ...