The sound designer, supervising sound editor, and re-recording mixer on Kathryn Bigelow's thriller on crafting the ultra-realistic soundscapes for environments that very few people ever encounter.

Film sound roundtable featuring 3 Oscar winners from 'F1,' 'A House of Dynamite.' Award-winning sound design discussion with sound editor Al Nelson, re-recording mixer Gary Rizzo, and sound editor ...

“I asked them to sing in the instrument and hum while they were playing to get this kind of moaning,” Bertelmann said at Deadline’s Sound & Screen: Film event. “I had the feeling there are creatures ...

A House of Dynamite is the kind of movie that sticks in your mind for a while after viewing. The tension created when an average drill becomes a real, life-or-death situation is exemplified in the ...

The Oscar winner explains how he and his crew captured 113 different speakers in the film and his long working relationship with director Kathryn Bigelow.