Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
ScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...
Stephen Soderbergh’s Presence takes a step outside the haunted house genre with the bold choice to tell the story from the ...
The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven ...
The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.
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