Eddington is, I think, less about political axe grinding, or even point making, and more about what it feels like to have all ...

Writer-director Ari Aster tends to end his narratives in careening mayhem that finally exhausts itself in an absurdist state ...

Covid and mask mandates are still a sensitive subject for many. Is this too much, too soon?

What — beyond Aster’s evident desire to tweak both sides of the political spectrum — might be going on here? Look deeper and ...

No one in the cast seems keen to talk about Ari Aster’s latest film.

Eddington, the latest film from Hereditary director Ari Aster, is a dark comedy about COVID-fueled chaos in a fictional New ...

In this desert setting, with characters both buffoonish and evil at once, there’s a distinctly Coen brothers slant to ...

The costume designer of 'Roma' and 'Bardo' talks about creating clothes for characters played by Joaquin Phoenix, Emma Stone, ...

Imperfect and overlong, Ari Aster's fourth feature still ends up as a neat snapshot of the COVID years, as well as a sly ...

The first and maybe only true jump scare in Ari Aster’s “Eddington” comes right at the start. A barefoot old man trudges down ...

Ari Aster's “Eddington,” appropriately enough, has been divisive. Since its premiere at the Cannes Film Festival in May, ...

Ari Aster and A24's black comedy, Eddington, boasts strong performances, visuals, and social commentary, but it struggles to distill all the chaos of the pandemic into one film.